Showing posts with label China Mieville. Show all posts
Showing posts with label China Mieville. Show all posts

Sunday, December 18, 2011

Kraken by China Mieville

Hello again, everyone. It was time to shift genres, high fantasy wasn't doing it for me anymore. I have been a fan of China Mieville since I read Perdido Street Station. This book is different than the other works I've read by Mieville. For one, it is set in what appears to be modern day London. The result is that people new to his work miss out on the beautiful landscapes he creates when he builds a world. However, new readers still get to enjoy his wonderful descriptive phrases and rich characters. Another difference is an increase in humor, though it is often subtle. I admit a certain fondness for the unsubtle line, "My Google-fu is strong".

We being our tale in the Darwin Center at the National History Museum on a tour with curator, Billy Harrow. The only object on the tour that any of the visitors are really interested in seeing is the preserved giant squid.This desire is stymied by the fact that the squid, and its entire tank have mysteriously disappeared.

Through this disappearance, Billy is surprised to learn of a giant squid cult that worships the Kraken, and its brethren, as gods. (This will not surprise fans and devotees of the Cthulhu mythos.) He also becomes aware that they have made him a profit of their faith, no pressure there for the unassuming young man. He also become aware of a London he has never known, a kind of magical and mystical second London hidden in the commonly seen city. The search for the missing squid becomes a battle for the continued existence of the world and all those residing upon it.

In many ways this is an adventure tale, it is also an ends-of-the-world story. No, I did not make a typo when writing ends, as we all know someone is always predicting the end of the world. It is no different in the universe created here by Mieville. The difference in this universe is that it is a real possibility that the predictions might become reality. There are several points at which the story takes a rather surprising turn. Part of a speech given by the ultimate villain of the story really spoke volumes of truth to it, my friends will probably know the part that speaks to me.

I listened to this book on audio, and for the most part the audio served me well. The ending seemed to take a little too long to wrap up for me, though I think this was influenced by listening to it rather than reading it. Mieville is frequently deep, and I think the ability to reread a passage would add much to the story. I will have to reread it in textual format, I know I missed some of the subtly by not looking at the text.

Though I did not enjoy this book, quite as much as Perdido Street Station. I'd recommend reading it.

Friday, September 11, 2009

Un Lun Dun Review

Un Lun Dun is China Mieville's first young adult novel. As indicated by the title it is set in an alternate version of London. It has been compared to Louis Carroll’s Alice in Wonderland, though I can not speak directly to this as I have yet to read that work, I can see why the comparison has been made based on the movie adaptations.

The tale begins in London, with our main characters Zanna and Deeba. They begin to notice that strange occurrences are happening, things like a fox watching Zanna during recess. Zanna is attacked by a dark cloud, and stays several nights at Deeba's house. The girls are awoken by the sound of something scratching at the window, it's a broken umbrella. Zanna decides to follow it, dragging Deeba in her wake. They end up in Un Lun Dun with no way home. Needless to say, the girls are scared and confused.

Upon their arrival they are chased by a pile of rubbish and promptly rescued by a boy named Hemi. A friendly tailor notices that the girls are new in town, and chases Hemi off. He's half-ghost, and the living don't trust the ghosts. Zanna then learns that she is the "Chosen One" and is meant to save Un Lun Dun from the Smog. But Obaday, the tailor, won't say anything else. He insists on taking her to see the Propheseers, who will tell her what see must do. Zanna and Deeba meet the Propheseers, but things do not go as predicted. The "Chosen One" is injured in the first battle. We learn that people, things, and ideas can travel between our world and the world of Un Lun Dun. There are several other plot twists, which would be quite surprising to the young readers that are the intended audience. They are handled very well, even if as an adult you can guess that they are coming, they do not feel forced or artificial.

The world of Un Lun Dun is full of unique creatures and objects, as are Mieville's other worlds. I admit I was a bit concerned about Mieville's vocabulary when it came to writing a young adult novel. He is quite fond of big words that make educated adults reach for a dictionary, so I wasn't sure if he could pull back and make his wonderful prose accessible to children. He did so superbly. He gave us several emotionally touching scenes throughout the book. There was a lot of focus on the value of friendship in this story. There was particular good-bye scene which reminded me very much of Dorothy's farewells in The Wizard of Oz.

Overall, I'd recommend this book to anyone that enjoys fantasy, or is looking for a book to share with a young person in their life.

Good reading everyone.

Tuesday, August 11, 2009

The Scar Review

This review is long over due, sorry for the delay. My masters class on school law has taken up most of my time.

Though I hate to use the term, because of the often negative connotations, The Scar is a spin-off of Perdido Street Station. Reviewed here. Reading the original story isn't necessary to understand or enjoy this story; however, I highly recommend it.

Mieville opens not with the main character, but with a beautifully described scene depicting an underwater hunter and his trained hunting squid. This scene gives the audience a sneak peek as to what horrors of the deep await our cast of characters. His use of language, as usual, is magnificient.

Our central character is Bellis Coldwine. She is fleeing to a newly founded colony to avoid an unknown entanglement with the New Crobuzon government, with the intention of returning home once it is safe. Bellis lies about her ability to speak the language of a sea-faring people in order to get passage to the colony. Bellis is a complex character, but I admit there were times I found it hard to like her.

In addition to taking colonists to the new colony, the ship is transporting Remade prisoners. Remades are people that have been punished for crimes they committed by being altered physically, usually by having horrible mechanical parts added to their body or replacing a body part. In the course of the ship's travels to the colony they are abducted by a floating pirate city, Armada. It is run by the Lovers. Once you are a part of Armada, you are not allowed to leave. This results in much inner turmoil for Bellis.

There are many more interesting characters in the book, and you do find out how it links back to Perdido Street Station. The story is complex and well-written. There are dramatic sea battles and tender moments. I recommend this if you love language, pirate tales, fantasy stories, or steampunk. Enjoy.

Wednesday, September 10, 2008

A Review I Couldn't Resist



I wasn't going to write a review for Perdido Street Station by China Mieville, because of how busy life has been due to the start of the school year, and reading the next book for our book talk group. In the end, I couldn't resist.

This book is wonderful. It falls into the science fiction genre, under the sub-genre of steampunk. For those not familiar with the term, steampunk is mostly defined by a feel of the Victorian era and a mix of advanced technology with backwards technology or advanced technology run by steam power.

Set in New Crobuzon, this book is about a fringe scientist, Isaac Dan De Grimubulin, who is approached by a client, Yag, to restore his ability of flight after he has his wings removed as punishment for a "choice crime". We also get a view into his relationship with Lin, a kheperi. Lin is a sculpture artist, who acquires a mysterious client of her own. The story develops slowly and evolves into a complex web of events.

The most overwhelming (in a good way) aspect of this book is the masterful use of language employed by Mieville. His vocabulary is extremely rich and varied, even reading it for the second time I had to occasionally reach for a dictionary. The language lends an incredible texture to the tale. New Crobuzon is described in a way that makes you feel as if you could go there and touch the walls of Lin's apartment or the University buildings. It has the feel of an old English town, including horse-drawn (and other creature)taxis. Mieville uses words as a painters use hues and colors on a canvas, giving the reader layers and subtle details. You can tell by reading his works that he has a love of words. Even if science fiction isn't your usual genre, give this book a read, the sophistication of the writing makes it literature without question. If you are a writer, you will envy his vocabulary and weaving of words.